Episode 09, The "Day-by-Day" episode
Categories:
- music,
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FM Epiosde 009
- Track: "Prostir"
- Artist: Zavoloka
- Album: Ornament
-
In this episode, we cover hard techno by Berlin-based Ukraine expats, Zavoloka and Kotra, ethno electronic of Bedouindrone, IDM from Canada's Craok Elixer, some retro from the The Irresistible Force with a new "forgotten gems" segment introduced. We cap off with some fine ambient by Jason Van Vyk, Off Land and Brick and Air. =============== - Label: Self
- Catalog: n/a
- Link: https://www.discogs.com/release/16057238-Zavoloka-Ornament
- Track: "Quantum Presence"
- Artist: Kotra
- Album: Radness Methods
- Label: Prostir
- Catalog: n/a
- Link: https://www.discogs.com/release/21983359-Kotra-Radness-Methods
- Track: "Abu Kisk"
- Artist: Bedouindrone
- Album: Abandoned Villages
- Label: Mahorka
- Catalog: https://archive.org/details/mhrk305
- Link: mhrk305
- Track: "Ham Sandwhich"
- Artist: Croak Elixer
- Album: Velvet Rope
- Label: n/a
- Catalog: n/a
- Link: https://croakelixir.bandcamp.com/album/velvet-rope
- Retro Segment
- Track: "Spiritual High"
- Album: Flying High
- Artist: Irresistible Force
- Label: Instinct
- Catalog: EX-258-2
- Year: 1993
- Link: https://www.discogs.com/artist/953-The-Irresistible-Force
- Forgotten and Hidden Gems
- Track: "Succubus"
- Artist: Kratarknathrak
- Album: Dogun Teatime
- Label: Laidback Electronica
- Catalog: le010
- Link: https://archive.org/details/le010
- Year: 2005
- Ambient Atmospheric segment
- Track: "II"
- Artist: Moss Covered Technology
- Album: Brick & Air
- Label: Audiobulb Records
- Catalog:
- Link: https://www.discogs.com/release/24801584-Moss-Covered-Technology-Brick-And-Air
- Track: "All This Time"
- Artist: Jason Van Wyk
- Album: Descendants
- Label: N5MD
- Catalog: MD311
- Link: https://www.discogs.com/master/2835185-Jason-van-Wyk-Descendants
- Track: "Slow Down"
- Artist: Off Land
- Album: Evenfall Drive
- Label: n/a
- Catalog: n/a
- Link: https://www.discogs.com/release/24514352-Off-Land-Evenfall-Drive
'Modulations: Cinema for the Ear', a favored electronic music documentary.
Categories:
- ambient, experimental, music, film, interviews,
DVD box cover for Modulations.
This documentary played in local, non-mainstream film theatres during the late 1990's during (to me) the golden age of electronic music. A tsunami of electronic music washed over the mainstream world and outsold any other section of the record store. Compact discs and records were priced well out of range for most consumers. Learning and accessing the music was done through radio, mixed tapes, record shops, magazines, clubs, and peers. Internet accessibility was an issue for the populace and had yet to be adopted en masse. So when Modulations was screened, it was cathartic for fans to see the music scene and favourite artists of the time on the big screen, even if most of them had bad teeth. Some of the highlights of the film are interviews with Mixmaster Morris and Squarepusher speak, as well as watching artists Prototype 909 play live. Even if you are not a Throbbing Gristle fan, Genesis P-orridge is fascinating in this documentary, especially his clothes and hairstyle. Most of the music makers featured here produce from their bedroom and you can see most artists live modestly to practise their art. This documentary is not only about the music, predominantly during the 1990's, but the philosophies that inform various scenes and even touches on the origin of electronic music production.
Film director, Iara Lee posted Modulations: Cinema for the Ear for free viewing on her Vimeo account through her Cultures of Resistance NGO channel. Iara Lee currently does documentaries on conflict zones throughout the world. While what she does is tremendously important, the docs on the more decadent sides of our society, i.e. music scenes, interest more. Here is the documentary below, play it LOUD.
MODULATIONS from Cultures of Resistance Films on Vimeo.
Simon Crab and his Invisible Cities
Categories:
- music, interviews,
Simon Crab and his Invisible Cities release.
Recently conducted an interview with Simon Crab about his latest album, Invisible Cities for Chain D.L.K.. As always, Simon Crab makes interesting and enjoyable music where he deftly combines electronics and acoustic instrumental into musical narrative. The cover art for Invisible Cities is interesting too, instead of his usual typographically-driven stuff, like on After America and Demand Full Automation, he paradoxically achieves a more organic look with the decidedly inorganic AI approach. It is always fascinating to learn about Crab’s composition process and the ideas that inform the music. Specifically his ‘egalitarian’ approach to using accessible instruments and software synthesis. Learning about the life experiences that inform the music is also fun, like tapping into Crab's activist riot days. Read the interview and review and find out for your self. Better yet, hit play on the embed below.